This article was written by The Facer and published on theFacer.net in January 2003. Since then, theFacer.net has been voluntarily shut down after a successful run of movie critiques and intellectual musings that poked fun at someone named "Vinnie." Food for the Moon Productions, luckily, was able to salvage this article from the now defunct site and presents it here for all to see. Minor alterations were made to this document, due entirely to the correction of dead links.
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TheFacer.Net's Officially Best Film of 2002 Announced! Entered by The Facer 1/2/2003 9:47:56 PM
Okay, gang, everyone's been bugging me for my top film of 2002. Before you
proceed, perhaps you should review my
top 9 films of 2002, from which I've selected the winner. Done? Hokey dokey. Let's face it, Facerfans. 2002 sucked for films. Geek genre films hit it big
with Spider-Man, Attack of the Clones and The Two Towers, but
none of these were good films, just good fast food flicks. Take their technology
out, and you'll find no art. Even About A Boy, which I found really,
really entertaining, was still formulaic. No, for me the two leading contenders were films of a different sort. Films
that cut the edges of what we are used to seeing in our darkened theaters (or,
in my case, my darkened, private, 400-seat screening room.) The Runner Up Austin Powers in Goldmember. This film had everything it takes for
a great film: humor, adventure, and a stirring tale of family. Read my
full review here which dispells the myth that this was a "comedy."
In this film, cinematic auteur Michael Myers shows us the hard edges of the
diamonds of our souls, and does so with a melange of wit and midgetry that few
others filmakers dare. Certainly Fellini and Godard have attempted, but here
Myers proves his vision is the stuff of artistry, as if the very Allegory of
Art were his personal muse. Well done, Mr. Myers... well done. The Best Film of 2002
All your base may belong to us, but all our props go to the talented crew who
suffered long hard hours putting this masterpiece of internet cinema together.
What makes RUP:TONM such a work of art? Let's review: 1.) The film is enjoyable, and that is ultimately the goal of any film.
If anyone watches the entire 14 minute movie and does not enjoy it, they are
dead, and thus have given up their rights to a proper burial and deserve to
be beheaded by angry, flipped-out ninjas. 2.) The film is educational. In the best of quasi-cinema verite style
documentary filmmaking, the producers cleverly hide an informative, educational
film in the guise of an action-packed thriller. Did you know, for example, that
Ninjas are, in fact, mammals? Did you know that their only purpose is to flip
out and kill people? No, you didn't know that, did you? Well now you do. Imagine
what other educational epiphanies await you when you watch the whole thing! 3.) The film is hot. Yep, there are some babes in it. Ninja babes, to
boot. Yep, to boot your sorry ass, you pathetic huskfucker!
5.) The film is about Ninjas. Ninjas are sweet, and can cut your head
off. If that's not reason to vote this film as the Best of 2002, then I don't
know what is. 6.) It's been released on the 'net, so it's free, dumbass. Go see it
now. Here. I don't know what the budget for RUP:TONM was, but I imagine it was
slightly less than what George Lucas had to shop with for Attack of the Clones.
Having said that, why then did I have a better time wathing RUP:TONM than Clones?
Could it be because the filmmakers have a soul? Yes! I dare say it, yes! Facerfans, you owe it to yourself to
go
see this puppy right now. Like the Blair Witch Project, some Hollywood
scumbag (like Vinnie) will probably try to rip off the look and feel of RUP:TONM
and make some half-assed, commercialized clone of it. Accept no imitations.
Trust your Facer. Real Ultimate Power: The Official Ninja Movie is the
best film of 2002, bar none. |
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